What dance fits “Last Night When We Were Young”?
No dance in our list matches both the tempo and the genre of this recording. By tempo alone, 136 BPM suits: Contemporary Dance, Jazz Dance, Lyrical Dance, Tap Dance, Musical Theatre Dance.
How to count it
At 136 BPM one beat lasts 440 milliseconds. In 4/4 that is 34.1 bars per minute; in 3/4 it is 45.4. Ballroom rhythm analysis suggests a Viennese waltz pattern (60% confidence).
Audio profile
- Danceability (model)
- Low (94% confidence)
- Party mood
- No
- Relaxed
- No
- Vocals
- Vocal
- Tags
- jazz, vocal jazz, jazz vocals, jazz: jazz vocals
- Release
- The Essential Sarah Vaughan
Similar-tempo songs
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| A puro dolor | Son by Four | 136 | C# major | 1999 | |
| Angel Flying Too Close to the Ground | Willie Nelson with Patty Griffin | 136 | E major | Line Dancing, Clogging, East Coast Swing | 2002 |
| Don’t Fade Away | Willie Nelson with Brian McKnight and Bill Evans | 136 | D major | Line Dancing, Clogging, East Coast Swing | 2002 |
| Fat Back (a.k.a. Tear Up) | Byron Lee and the Dragonaires | 136 | A# major | Zumba | 2004 |
| I Could Write a Book About You | Waylon Jennings & Willie Nelson | 136 | E major | Line Dancing, Clogging | 1991 |
| It’s a Great Life | The 5th Dimension | 136 | G minor | Jazz Dance, East Coast Swing, Line Dancing | 1968 |
| There's Never Been | The Flatlanders | 136 | E major | Line Dancing, Clogging | 2009 |
| Back When | Tim McGraw | 136 | G major | Line Dancing, Clogging | 2004 |
| Get Out of This Town | Carrie Underwood | 136 | E major | Line Dancing, Clogging, East Coast Swing | 2007 |
| Let Me Explain | Sonny Boy Williamson | 136 | G major | 1959 | |
| Like a Wrecking Ball | Eric Church | 136 | C major | Line Dancing, Clogging | 2014 |
| One of the Guys | Kellie Pickler | 136 | A# major | Line Dancing, Clogging, East Coast Swing | 2006 |
More by Sarah Vaughan
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| A Sinner Kissed an Angel | Sarah Vaughan | 136 | G major | 1986 | |
| After You’ve Gone | Sarah Vaughan | 144 | D# major | Tap Dance, Lindy Hop, East Coast Swing | 1994 |
| Blues Serenade | Sarah Vaughan | 129 | A# major | Jazz Dance, Tap Dance, Lindy Hop | 1988 |
| Fool on the Hill | Sarah Vaughan | 164 | G major | 1981 | |
| Get Back | Sarah Vaughan | 133 | A# major | Jazz Dance, Tap Dance, Lindy Hop | 1981 |
| Here, There and Everywhere | Sarah Vaughan | 104 | G major | Jazz Dance, Tap Dance, Lindy Hop | 1981 |
| I Feel Pretty | Sarah Vaughan | 132 | C# major | Jazz Dance, Tap Dance, Lindy Hop | 1963 |
| Invitation | Sarah Vaughan | 96 | A minor | Tap Dance, Lindy Hop | 1997 |
| It Might as Well Be Spring | Sarah Vaughan | 140 | D major | 1995 | |
| It’s De‐Lovely | Sarah Vaughan | 126 | B major | Jazz Dance, Tap Dance, Foxtrot | 1986 |
Measured by AcousticBrainz · recording on MusicBrainz (CC0). Check the tempo by ear with our tap tempo tool.