What dance fits “My Tormented Heart”?
No dance in our list matches both the tempo and the genre of this recording. By tempo alone, 112 BPM suits: Contemporary Dance, Jazz Dance, Tap Dance, Musical Theatre Dance, Foxtrot.
How to count it
At 112 BPM one beat lasts 533 milliseconds. In 4/4 that is 28.1 bars per minute; in 3/4 it is 37.5. Ballroom rhythm analysis suggests a Viennese waltz pattern (82% confidence).
Audio profile
- Danceability (model)
- Low (75% confidence)
- Party mood
- No
- Relaxed
- No
- Vocals
- Vocal
- Tags
- jazz, vocal jazz, jazz vocals, jazz: jazz vocals
- Release
- 16 Most Requested Songs
Similar-tempo songs
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Come Home Baby | Wilson Pickett | 112 | D# major | Jazz Dance, West Coast Swing, Carolina Shag | 1965 |
| Everyday I Have the Blues | B.B. King | 112 | G# major | Jazz Dance, Tap Dance, West Coast Swing | 1957 |
| It Serves You Right to Suffer | John Lee Hooker | 112 | A minor | West Coast Swing | 1966 |
| Katie Belle Blue | Townes Van Zandt | 112 | A major | West Coast Swing, Line Dancing, Contra Dance | 1994 |
| Anticipating | Britney Spears | 112 | — | 2002 | |
| Contigo | Canteca de Macao | 112 | C minor | West Coast Swing, Line Dancing, Flamenco | 2007 |
| Dirty Girl | Terri Clark | 112 | B major | West Coast Swing, Line Dancing, Cha-Cha | 2007 |
| I Got a Feelin' | Billy Currington | 112 | D major | West Coast Swing, Line Dancing | 2003 |
| In My Dreams | The Mavericks | 112 | C major | West Coast Swing, Line Dancing, Cha-Cha | 2003 |
| Lost Highway | Townes Van Zandt | 112 | C major | West Coast Swing, Line Dancing, Contra Dance | 1997 |
| Main Title (Golden Ticket / Pure Imagination) | Leslie Bricusse and Anthony Newley | 112 | F# minor | Musical Theatre Dance, Jazz Dance | 1971 |
| One Dime Blues | Blind Lemon Jefferson | 112 | F major | West Coast Swing, Line Dancing | 1928 |
More by Sarah Vaughan
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| A Sinner Kissed an Angel | Sarah Vaughan | 136 | G major | 1986 | |
| After You’ve Gone | Sarah Vaughan | 144 | D# major | Tap Dance, Lindy Hop, East Coast Swing | 1994 |
| Blues Serenade | Sarah Vaughan | 129 | A# major | Jazz Dance, Tap Dance, Lindy Hop | 1988 |
| Fool on the Hill | Sarah Vaughan | 164 | G major | 1981 | |
| Get Back | Sarah Vaughan | 133 | A# major | Jazz Dance, Tap Dance, Lindy Hop | 1981 |
| Here, There and Everywhere | Sarah Vaughan | 104 | G major | Jazz Dance, Tap Dance, Lindy Hop | 1981 |
| I Feel Pretty | Sarah Vaughan | 132 | C# major | Jazz Dance, Tap Dance, Lindy Hop | 1963 |
| Invitation | Sarah Vaughan | 96 | A minor | Tap Dance, Lindy Hop | 1997 |
| It Might as Well Be Spring | Sarah Vaughan | 140 | D major | 1995 | |
| It’s De‐Lovely | Sarah Vaughan | 126 | B major | Jazz Dance, Tap Dance, Foxtrot | 1986 |
Measured by AcousticBrainz · recording on MusicBrainz (CC0). Check the tempo by ear with our tap tempo tool.