$11.5M
latest revenue
$22.6M
total assets
1983
exempt since
31
NEA dance grants
- EIN
- 13-2665475
- Location
- New York, NY 10018
- Tax status
- 501(c)(3) · donations deductible
- Classification
- Publicly supported (gross receipts)
- Latest tax period
- 2025-06
- Income
- $14,756,283
Financial history (Form 990)
| Year | Revenue | Expenses | Contributions | Assets | 990 |
|---|---|---|---|---|---|
| 2023 | $5,783,640 | $9,645,804 | $4,165,540 | $10,148,791 | |
| 2022 | $8,150,910 | $6,390,117 | $7,328,194 | $13,013,484 | |
| 2021 | $8,112,218 | $4,493,663 | $7,722,001 | $12,813,674 | |
| 2020 | $6,311,399 | $9,134,317 | $3,640,051 | $8,921,088 | |
| 2019 | $9,285,176 | $8,068,354 | $8,085,777 | $11,449,488 | |
| 2018 | $9,699,685 | $10,087,217 | $7,425,885 | $9,953,358 | |
| 2017 | $12,218,252 | $9,680,646 | $10,140,970 | $10,344,433 | |
| 2016 | $5,938,841 | $9,211,316 | $3,622,925 | $7,787,656 |
National Endowment for the Arts grants
| Year | Amount | Project |
|---|---|---|
| 2023 | $25,000 | Purpose: To support artist fees for the creation and presentation of a new work by choreographer Hope Boykin. Additional Project Description: In advance of the premiere, Artistic Director Michael Novak will collaborate w |
| 2022 | $35,000 | Purpose: To support dancer and choreographer fees for the creation of a new work by choreographer Amy Hall Garner and related educational digital activities. Additional Project Description: Garner will develop the dance |
| 2021 | $30,000 | To support general operating costs in response to the COVID-19 pandemic. |
| 2020 | $60,000 | To support dancer salaries for a national tour celebrating the work of Paul Taylor. While on tour, the company will deliver community engagement activities such as artist/audience discussions and masterclasses, providing |
| 2019 | $70,000 | To support the presentation of dance works on a national tour. The company will present Paul Taylor's master works, as well as his most recent dances, to audiences across the United States. Touring is a vital part of the |
| 2017 | $75,000 | To support the presentation of dance works on a national tour. The company will present some of Paul Taylor's master works, as well as his most recent dances, to audiences across the United States. Touring is a vital par |
| 2016 | $75,000 | To support the presentation of dance works on a national tour. The company will present some of Paul Taylor's master works, as well as his most recent dances, to audiences across the U.S. Touring is a vital part of the f |
| 2015 | $75,000 | To support the presentation of dance works on a national tour. The company will present some of Taylor's masterworks as well as his most recent dances to audiences across the United States. Touring is a vital part of the |
| 2014 | $75,000 | To support the creation and presentation of new works by Paul Taylor. The pieces represent the 140th and 141st works for the company, and will be created in collaboration with lighting designer James F. Ingalls and set a |
| 2013 | $75,000 | To support the creation and presentation of works by artistic director Paul Taylor. The pieces represent the 138th and 139th works for the company, and will be created in collaboration with lighting designer Jennifer Tip |
| 2012 | $70,000 | To support the creation and presentation of new works by artistic director Paul Taylor. The pieces represent the 136th and 137th works created for the company and will be created in collaboration with lighting designer J |
| 2011 | $100,000 | To support the creation and presentation of works by artistic director and choreographer Paul Taylor. The works will be performed during the company's home season at New York's City Center and on a national tour. |
| 2011 | $15,000 | To support a residency by the Paul Taylor Dance Company and Taylor 2, in consortium with Binghamton University, State University of New York. The project will include a three-week residency by Taylor 2 that culminates in |
| 2010 | $100,000 | To support the creation and presentation of works by Artistic Director and choreographer Paul Taylor. The works will be presented at the company's home season at New York City Center and on a national tour. |
| 2010 | $91,500 | To support the reconstruction of Orbs, created in 1966 by choreographer Paul Taylor. The work will be part of the company's annual performance at New York's City Center and will tour across the United States. |
| 2009 | $95,000 | To support the creation and presentation of works by Artistic Director and choreographer Paul Taylor. The works will be presented on tour in the United States and overseas. |
| 2009 | $60,000 | To support the reconstruction and national tour of "Public Domain," created in 1968 by choreographer Paul Taylor. The work will be part of the company's annual performance at New York's City Center and will tour across t |
| 2009 | $50,000 | To support the preservation of jobs that are threatened by declines in philanthropic and other support during the current economic downturn. |
| 2008 | $90,000 | To support the creation and presentation of works by artistic director and choreographer Paul Taylor. The works will be presented on tour in the United States and overseas. |
| 2007 | $90,000 | To support the creation and presentation of works by artistic director and choreographer Paul Taylor. The works will be presented on tour in the United States and overseas. |
| 2006 | $100,000 | To support the creation and presentation of works by artistic director and choreographer Paul Taylor. |
| 2005 | $100,000 | To support the creation and presentation of new works by Paul Taylor. The works will be featured on tour and overseas as part of the celebration of the 50th anniversary of the Paul Taylor Dance Company. |
| 2004 | $100,000 | To support the creation, presentation, and preservation of new works by Paul Taylor. The works will be featured on tour throughout the nation and overseas as part of Paul Taylor Dance Company's 50th anniversary. |
| 2003 | $20,000 | To support a consortium project of a tandem tour by Paul Taylor Dance Company and Taylor 2. The tour will include performances and classes and take place in Portland, Eugene, and Monmouth, OR and in Seattle, WA. |
| 2003 | $90,000 | To support the touring of work by Paul Taylor. The project will include a joint performance by the Taylor Company and the Houston Ballet at the Kennedy Center. |
| 2002 | $80,000 | To support the creation and presentation of work nationwide through tandem touring by the Paul Taylor Dance Company and Taylor 2. The tours include performances, education activities, and community service events. |
| 2002 | $20,000 | To support the Paul Taylor Dance Company in a five-year, annual residency at Yerba Buena Center for the Arts in San Francisco, a consortium project. The project will consist of a Taylor 2 residency, an open-rehearsal wee |
| 2001 | $80,000 | To support the creation and presentation of work nationwide through tandem touring by the Paul Taylor Dance Company and Taylor 2. The tours include education activities, community outreach events, and performances. |
| 2000 | $80,000 | To support the creation and presentation of new dances. Artistic Director Paul Taylor will choreograph the works, and the premieres will coincide with major company engagements at City Center in New York City and the Ken |
| 1999 | $100,000 | To support tandem tours by the Paul Taylor Dance Company and Taylor 2, a chamber-sized company. The tandem tours will include performances in Iowa, South Carolina, New Hamphsire, and New York. |
| 1998 | $110,000 | To support the combined (tandem) touring of the Paul Taylor Dance Company and Taylor 2, a chamber-sized company, throughout the United States. The opportunity to present Mr. Taylor's work to a new audience will allow the |
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Organization data from the IRS Exempt Organizations Business Master File (public domain); Form 990 figures via ProPublica Nonprofit Explorer; grants from the NEA Grant Search. Street addresses are not shown. Figures are as reported to the IRS.