$10.4M
latest revenue
$20.4M
total assets
1966
exempt since
36
NEA dance grants
- EIN
- 13-6206608
- Location
- New York, NY 10011
- Tax status
- 501(c)(3) · donations deductible
- Classification
- Publicly supported (gross receipts)
- Latest tax period
- 2025-06
- Income
- $17,307,570
Financial history (Form 990)
| Year | Revenue | Expenses | Contributions | Assets | 990 |
|---|---|---|---|---|---|
| 2023 | $7,057,889 | $7,148,864 | $5,042,645 | $18,845,656 | |
| 2022 | $10,002,942 | $7,100,064 | $8,344,594 | $18,773,149 | |
| 2021 | $7,603,685 | $5,148,984 | $7,136,968 | $16,367,421 | |
| 2020 | $4,552,726 | $5,840,886 | $3,199,922 | $14,599,875 | |
| 2019 | $9,437,229 | $6,213,400 | $7,308,505 | $19,316,623 | |
| 2018 | $8,080,236 | $5,185,077 | $3,739,834 | $16,297,008 | |
| 2017 | $6,823,522 | $5,645,572 | $4,567,776 | $13,288,959 | |
| 2016 | $5,363,267 | $6,509,212 | $3,457,731 | $12,490,395 |
National Endowment for the Arts grants
| Year | Amount | Project |
|---|---|---|
| 2024 | $70,000 | Purpose: To support the creation of new works by movement-based artists at all career levels through residencies and commissions. Additional Project Description: The project will commission new works through residency pr |
| 2023 | $65,000 | Purpose: To support the creation of new works by movement-based artists at all career levels through residencies and commissions. Additional Project Description: The project will commission new works from at least 20 art |
| 2022 | $60,000 | Purpose: To support the development of new work as part of the Live Feed creative residency program. Additional Project Description: Live Feed is a multi-year program serving 12-15 diverse artists each year in overlappin |
| 2021 | $80,000 | To support staff salaries for the creation and presentation of works by the Bill T. Jones/Arnie Zane Dance Company. The company will develop and perform Deep Blue Sea and What Problem? for performance venues of varying s |
| 2020 | $75,000 | To support staff and dancers salaries for creation of work. NYLA programs support the creation of new works by movement-based artists at all career levels through residencies and commissions. |
| 2019 | $75,000 | To support staff salaries related to the presentation of dance companies, as well as dancer salaries related to the development of a new work by the Bill T. Jones/Arnie Zane Dance Company. NYLA programs support the creat |
| 2018 | $80,000 | To support commissioning, residency, and producing programs, as well as the development and tour of works by the Bill T. Jones/Arnie Zane Dance Company. The project includes five core programs: (1) Fresh Tracks: a mentor |
| 2017 | $75,000 | To support commissioning, residency, and producing programs, as well as the national repertory tour of the Bill T. Jones/Arnie Zane Dance Company. Each program will be tailored to artists at various points in their caree |
| 2016 | $80,000 | To support commissioning and residency programs, as well as the national repertory tour of the Bill T. Jones/Arnie Zane Dance Company. Each program will be tailored to artists at various points in their careers, from ear |
| 2015 | $90,000 | To support the creation and presentation of new work in the Dance Theater Workshop Commissioning Fund Program, the Studio Series Performance and Residency Program, the Fresh Tracks Performance and Residency Program, the |
| 2014 | $80,000 | To support the creation and presentation of new work in the Dance Theater Workshop Commissioning Program, the Studio Series Performance and Residency Program, the Fresh Tracks Performance and Residency Program, and the R |
| 2013 | $70,000 | To support the presentation of dance companies in the Dance Theater Workshop Commissioning Program, the Studio Series Performance and Residency Program, and the Fresh Tracks Performance and Residency Program. Each progra |
| 2012 | $70,000 | To support the Commissioning and Creative Residency Program, Fresh Tracks, the Studio Series and the new Resident Artist Program, as well as a U.S. tour of the Bill T. Jones/Arnie Zane Dance Company. Each program will in |
| 2012 | $60,000 | To support the Dance Leadership and Residency Program, in consortium with Arizona State University. This intiative will offer two-year residencies to mid-career artists with salary and health benefits. |
| 2011 | $90,000 | To support the COMMISSIONING AND CREATIVE RESIDENCY PROGRAM, FRESH TRACKS PERFORMANCE AND RESIDENCY PROGRAM, and the STUDIO PERFORMANCE AND RESIDENCY SERIES. Each program will include pre- and post-performance discussion |
| 2011 | $55,000 | To support the national tour of works by the Bill T. Jones/Arnie Zane Dance Company. Works such as, Fondly Do We Hope...Fervently Do We Pray of The Lincoln Suite, Serenade/The Proposition, Between Us, and Body Against Bo |
| 2011 | $60,000 | To support a documentation/archiving and licensing/distribution program that will benefit and service the dance field nationwide. The project offers professional documentation of works, as well as technical assistance fo |
| 2010 | $90,000 | To support the presentation of dance companies in the Commissioning and Residency Program, Fresh Tracks Performance and Residency Program, and the Studio Performance and Residency Series. Each program will include pre- a |
| 2010 | $20,000 | To support a dance residency, in consortium with the Maggie Allessee National Center for Choreography at Florida State University. Choreographers Juliette Mapp and David Neumann will pursue artistic research and experime |
| 2010 | $150,000 | To support the presentation of Season of Returns, a project highlighting works by choreographers John Kelly, Meredith Monk, Trisha Brown, and Yvonne Meier. Each presentation will include pre- and post-performance discuss |
| 2009 | $80,000 | To support the Creative Residency Program, Fresh Tracks Performance and Residency Program, and the Studio Performance and Residency Series. These programs provide emerging and established dance artists the use of the Dan |
| 2009 | $20,000 | To support a media and dance research residency for dance artists in consortium with the Maggie Allesee National Center for Choreography at Florida State University. Up to two artists will be in residence for one to two |
| 2009 | $30,000 | To support the presentation of Season of Returns, a project highlighting works by choreographers Anna Halprin, Jawole Willa Jo Zollar, and Donna Uchizono. Each presentation will include pre- and post-performance discussi |
| 2009 | $50,000 | To support the preservation of jobs that are threatened by declines in philanthropic and other support during the current economic downturn. |
| 2008 | $70,000 | To support the Creative Residency Program, the Fresh Tracks Performance & Residency Program, and the Studio Performance & Residency Series. |
| 2008 | $10,000 | To support the launch of a pilot program to support choreographers experimenting with media during a research residency in consortium with the Maggie Allesee National Center for Choreography at Flordia State University. |
| 2007 | $60,000 | To support the Creative Residency Program and the Creative Residency Development Laboratory. The programs offer emerging and established dance artists the use of Dance Theater Workshop's facilities, as well as presentati |
| 2006 | $70,000 | To support a residency program for emerging and established artists. The Creative Residency Program offers artists use of Dance Theater Workshop's facilities, as well as presentations at the theater. |
| 2005 | $70,000 | To support the Creative Space Program for emerging and established artists. The Creative Space Program offers creative time at Dance Theater Workshop's facilities, as well as presentations at The Bessie Schonberg Theater |
| 2004 | $70,000 | To support the Creative Residency Program. |
| 2003 | $70,000 | To support extended-run production series, CARNIVAL and THEMAINEVENT. The Carnival program features artists at various stages in their careers, and TheMainEvent series will present established, mid-career artists. |
| 2002 | $70,000 | To support an extended-run production series. The Carnival program features the work of artists at various stages in their careers and TheMainEvent series will present established mid-career companies/artists. |
| 2001 | $70,000 | To support Carnival and TheMainEvent extended-run production series. The Carnival program features the work of artists at various stages of their careers, and TheMainEvent will present established mid-career companies. |
| 2001 | $40,000 | To support a consortium project to increase organizational capacity for up to three dance satellite networks in key areas of the state of New York. New York Dance Satellite will support the collaborative marketing and au |
| 2000 | $70,000 | To support commissions and pre-production expenses associated with the future presentation of MainEvent and Carnival extended-run production series. The Carnival program features the work of 12 artists at various stages |
| 1999 | $70,000 | To support the presentation of the Carnival and MainEvents program. Carnival features the work of nine artists at various stages of their careers, and MainEvents provides established, mid-career companies with extended p |
Similar organizations
- New York City Ballet Inc
- Alvin Ailey Dance Foundation Inc
- Ballet Theatre Foundation Inc
- School of American Ballet Inc
- Joyce Theater Foundation Inc
- Elaine Kaufman Cultural Center-Lucy Moses School for Music and Dance
- Paul Taylor Dance Foundation Inc
- Ballet Hispanico of New York
Organization data from the IRS Exempt Organizations Business Master File (public domain); Form 990 figures via ProPublica Nonprofit Explorer; grants from the NEA Grant Search. Street addresses are not shown. Figures are as reported to the IRS.