$102.4M
latest revenue
$342.8M
total assets
1978
exempt since
30
NEA dance grants
- EIN
- 13-2947386
- Location
- New York, NY 10023
- Tax status
- 501(c)(3) · donations deductible
- Classification
- Publicly supported (gross receipts)
- Latest tax period
- 2025-06
- Income
- $121,055,116
Financial history (Form 990)
| Year | Revenue | Expenses | Contributions | Assets | 990 |
|---|---|---|---|---|---|
| 2023 | $77,420,949 | $94,274,646 | $30,329,741 | $316,686,714 | |
| 2022 | $85,606,399 | $86,114,814 | $50,145,065 | $312,989,092 | |
| 2021 | $35,122,869 | $40,566,455 | $25,124,600 | $352,054,118 | |
| 2020 | $67,478,078 | $83,492,749 | $26,256,344 | $301,270,656 | |
| 2019 | $91,173,379 | $91,775,751 | $25,061,473 | $325,423,316 | |
| 2018 | $99,834,801 | $89,305,149 | $33,936,800 | $332,646,952 | |
| 2017 | $84,565,088 | $83,941,953 | $28,208,286 | $243,466,428 | |
| 2016 | $86,214,641 | $81,391,283 | $30,743,395 | $225,118,006 |
National Endowment for the Arts grants
| Year | Amount | Project |
|---|---|---|
| 2024 | $20,000 | Purpose: To support the creation and presentation of new ballets by choreographers Tiler Peck and Amy Hall Garner. Additional Project Description: Peck is a Principal Dancer with NYCB, who premiered her first choreograph |
| 2023 | $40,000 | Purpose: To support the presentation of ballets by choreographers Keerati Jinakunwiphat and Alysa Pires. Additional Project Description: All performances will be at the company's home, the David H. Koch Theater, located |
| 2022 | $50,000 | Purpose: To support artistic fees for the presentation of ballets as part of the Stravinsky Festival. Additional Project Description: The celebration will mark the 50th anniversary of the original Stravinsky Festival and |
| 2021 | $50,000 | To support the creation and presentation of a new work by choreographer Kyle Abraham. Abraham will create the work during a residency at the Kaatsbaan Cultural Park in Tivoli, New York. The performance of the work will b |
| 2020 | $75,000 | To support the artistic salaries for the creation and presentation of a new work by choreographer Justin Peck featuring a commissioned score by Nico Muhly. Support for these artists is part of the company's mission and c |
| 2019 | $75,000 | To support the creation and presentation of new works by resident choreographer Justin Peck and choreographer Pam Tanowitz. This will be Peck's 18th ballet for New York City Ballet and his third collaboration with compos |
| 2018 | $75,000 | To support a festival celebrating Jerome Robbins' centennial, including a world premiere of a new ballet by Justin Peck. Multiple ballets by Robbins will be presented at the festival, as well as a new commission by Justi |
| 2017 | $100,000 | To support the presentation of ballets during the Here/Now Festival. The four-week festival will feature ballets that have been commissioned by NYCB during the past three decades. The festival will include two newly comm |
| 2016 | $100,000 | To support the creation and presentation of a new ballet by resident choreographer Justin Peck. This will be the tenth ballet Peck has created for the company and will mark Peck's second year as Resident choreographer, o |
| 2015 | $100,000 | To support the restaging of Auguste Bournonville's "La Sylphide" by Ballet Master-in-Chief Peter Martins. While the company's reputation and legacy is built on the neo-classical, non-narrative works created by co-founder |
| 2014 | $80,000 | To support the creation and presentation of new works by choreographers Justin Peck and Liam Scarlett. Both choreographers have participated in the New York City Ballet's New York Choreographic Institute, founded in 2000 |
| 2013 | $80,000 | To support the presentation of the All-American Music Festival, highlighting ballets from the company's repertory set to American music. The festival will include works by George Balanchine, Benjamin Millepied, Ulysses D |
| 2012 | $80,000 | To support commissioning of new works by choreographers Benjamin Millepied and Christopher Wheeldon. Millepied will collaborate with composer Nico Muhly to create a ballet and original score; Wheeldon's new work will be |
| 2011 | $100,000 | To support the commissioned works by choreographers Susan Stroman and Lynne Taylor-Corbett. As part of the company's annual New Combinations evening, the new works will celebrate the anniversary of Balanchine's birth. |
| 2010 | $100,000 | To support the creation and presentation of new music and choreography in tribute to the 50th anniversary of Lincoln Center. The celebration will feature performances from the company's repertory along with a newly desig |
| 2009 | $95,000 | To support the world premieres of works by emerging choreographers Melissa Barak and Douglas Lee, and the revival of Angelin Preljocaj's LA STRAVANGANZA, and related education and outreach programs. Works will be perform |
| 2009 | $150,000 | To support New York City Ballet Moves, a chamber touring ensemble. The company will develop an additional online component that may include interviews with leading dancers, conversations with other artists and designers, |
| 2009 | $50,000 | To support the preservation of jobs that are threatened by declines in philanthropic and other support during the current economic downturn. |
| 2008 | $90,000 | To support a retrospective of Jerome Robbins' work, one of the great American choreographers of the 20th century. The project will include a host of education and outreach activities. |
| 2007 | $90,000 | To support the creation and presentation of a new ballet by resident choreographer Christopher Wheeldon. The work will be set to original music composed by artist-in- residence Bright Sheng and will premiere at the New Y |
| 2006 | $100,000 | To support the New York Choreographic Institute and the Diamond Project. The company will premiere eight new ballets from established choreographers, and four new ballets from emerging choreographers that are part of the |
| 2005 | $100,000 | To support the commissioning and performance of new work. The company will premiere four new ballets by choreographers Peter Martins, Christopher Wheeldon, Benjamin Millepied, and Albert Evans. |
| 2004 | $90,000 | To support the Balanchine Centennial Celebration. The project will consist of repertory that focuses on George Balanchine's classical and modern heritage. |
| 2003 | $100,000 | To support the New York Choreographic Institute. The Institute provides both established and pre-professional choreographers with the resources to experiment with the process of creating new work. |
| 2002 | $100,000 | To support the 10th anniversary of the "Diamond Project." The company will premiere six new ballets and re-stage past "Diamond Project" ballets. |
| 2002 | $20,000 | To support Phase II of the Archive Project as a consortium effort. The project is an effort to organize, preserve, and make accessible original materials from New York City Ballet's past. |
| 2001 | $100,000 | To support choreographer Christopher Wheeldon to serve as an Artist-in-Residence, and associated costs. Christopher Wheeldon will create two new ballets, participate in a new Choreographic Institute, and play an active r |
| 2000 | $80,000 | To support the Diamond Project, an initiative to encourage both established and promising choreographers to work in the classical mode. The company will invite eight choreographers to participate - four from within the c |
| 2000 | $20,000 | To support phase one of a consortium project with Ballet Society to preserve New York City Ballet documents, film, and videotapes. A comprehensive plan for an archive will help dancers, choreographers, and the public und |
| 1998 | $100,000 | To support the creation and presentation of a dance work choreographed by Peter Martins with music by composer Wynton Marsalis. Peter Martins has commissioned Wynton Marsalis to compose a new score for New York City Ball |
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Organization data from the IRS Exempt Organizations Business Master File (public domain); Form 990 figures via ProPublica Nonprofit Explorer; grants from the NEA Grant Search. Street addresses are not shown. Figures are as reported to the IRS.