$112K
latest revenue
$79.4K
total assets
1987
exempt since
24
NEA dance grants
- EIN
- 13-3109381
- Location
- New York, NY 10019
- Tax status
- 501(c)(3) · donations deductible
- Classification
- Publicly supported (gross receipts)
- Latest tax period
- 2025-06
- Income
- $112,015
Financial history (Form 990)
| Year | Revenue | Expenses | Contributions | Assets | 990 |
|---|---|---|---|---|---|
| 2023 | $161,422 | $184,829 | $99,790 | $75,841 | — |
| 2022 | $82,602 | $79,638 | $72,195 | $82,158 | |
| 2021 | $93,293 | $85,539 | $57,000 | $84,030 | |
| 2020 | $49,279 | $73,366 | $36,279 | $70,216 | |
| 2019 | $121,337 | $121,867 | $91,565 | $91,970 | |
| 2018 | $137,814 | $135,913 | $106,683 | $114,689 | |
| 2017 | $158,914 | $156,775 | $125,205 | $117,534 | |
| 2016 | $143,347 | $155,630 | $102,231 | $125,524 |
National Endowment for the Arts grants
| Year | Amount | Project |
|---|---|---|
| 2023 | $15,000 | Purpose: To support the final development and premiere of "Rhythm Bath," series of performance-installations and community engagement activities, with choreographer Susan Marshall and set designer Mimi Lien. Additional P |
| 2021 | $10,000 | To support the development of performance-installations for neurodiverse and neurotypical audiences, by choreographer Susan Marshall. Susan Marshall & Company will develop a new work, Rhythm Bath, as well as excerpts fro |
| 2020 | $10,000 | To support artist fees for the production of Two Person Operating System Type 2 by choreographer Susan Marshall and visual artist Martha Friedman. The work is a durational performance (focuses on the passage of long peri |
| 2019 | $10,000 | To support the performers fees for the creation of Two Person Operating System Type 2 by choreographer Susan Marshall and visual artist Martha Friedman. The work will be a durational performance in which a rotating cast |
| 2018 | $10,000 | To support the premiere and public engagement events for "Construction," a collaboration between Susan Marshall and the So Percussion ensemble. Marshall developed the work in collaboration with composer Jason Treuting an |
| 2017 | $20,000 | To support the creation and presentation of a new multidisciplinary work by Artistic Director Susan Marshall. The choreographer will return to the form of her earliest works, which include intricate duets in which relati |
| 2016 | $20,000 | To support the creation of "Two Person Operating System," a collaboration between choreographer Susan Marshall and visual artist Martha Friedman. Marshall and Friedman will develop a performance in which dancers weave an |
| 2015 | $20,000 | To support the New York City premiere of "Chromatic," choreographed by Artistic Director Susan Marshall. The work for three performers was created in collaboration with visual artist Susan Bocanegra and percussionist Jas |
| 2014 | $20,000 | To support the creation of "Unstrung Theories," choreographed by Susan Marshall. The work will be created in collaboration with with artist Suzanne Bocanegra, musician Jason Treuting, and poet James Richardson. The work |
| 2013 | $20,000 | To support a national tour of "Bodies & Guitars," choreographed by Susan Marshall, along with an online video audience engagement program. Composer David Lang will create the score to be performed live by the electric gu |
| 2012 | $10,000 | To support the creation of a new dance by choreographer Susan Marshall. The work will be created in collaboration with composer David Lang and guitarists Taylor Levine and James Moore. |
| 2011 | $10,000 | To support the restaging and presentation of "Adamantine" by Susan Marshall & Company. An original score will be created and performed live by Peter Whitehead. |
| 2010 | $20,000 | To support the creation of a new, short-form dance by Artistic Director Susan Marshall. The dance will serve as a companion piece to the Susan Marshall & Company's most recent work, Frame Dances. |
| 2009 | $10,000 | To support the creation of a series of short dances by Artistic Director Susan Marshall. The dances will be filmed, and will be performed by Susan Marshall & Company in traditional theatrical venues, as well as museums a |
| 2008 | $10,000 | To support the creation of "Adamantine," an evening-length work by choreographer and artistic director Susan Marshall. The work will amplify Marshall's detailed and gestural movement style that she has been developing th |
| 2007 | $10,000 | To support the creation and presentation of new works by choreographer Susan Marshall. The works will be able to stand alone or comprise a full-length evening in three acts. |
| 2005 | $10,000 | To support the creation and presentation of an evening-length work and the revival of past work, choreographed by Susan Marshall. The work will be presented at Dance Theater Workshop in New York and on tour throughout th |
| 2004 | $10,000 | To support the creation and presentation of a new work and the restaging of repertory. Susan Marshall will choreograph a new dance work entitled CLOUDLESS in collaboration with her company, and will reconstruct FIELDS OF |
| 2003 | $10,000 | To support creation and presentation of new works choreographed by Susan Marshall. Sleeping Beauty and True Stories will premiere in at the Brooklyn Academy of Music's Next Wave Festival and then tour nationally. |
| 2002 | $15,000 | To support the creation of up to two new dance works choreographed by Susan Marshall. Titled Heavy Air and The Chorus, these works will premiere at Brooklyn Academy of Music's Next Wave Festival. |
| 2001 | $10,000 | To support a tour and related residency activities for a full-evening dance work. One and Only you, by choreographer Susan Marshall, is projected to tour to Pennsylvania, Washington, Minnesota, Florida, Texas, and New Yo |
| 2000 | $10,000 | To support creation of a new dance/theater work choreographed by Susan Marshall. The piece will combine dance, music, and text. |
| 1999 | $20,000 | To support the national tour and related residency activities of "The Descent Beckons," choreographed by Artistic Director Susan Marshall with lighting design by William Forsyth and Jennifer Tipton, and original music by |
| 1998 | $35,000 | To support the creation and national presentation of a full-length dance work, "The Descent Beckons," choreographed for the Susan Marshall Company by Artistic Director Susan Marshall with lighting design by William Forsy |
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Organization data from the IRS Exempt Organizations Business Master File (public domain); Form 990 figures via ProPublica Nonprofit Explorer; grants from the NEA Grant Search. Street addresses are not shown. Figures are as reported to the IRS.