What dance fits “We're All in This Together”?
No dance in our list matches both the tempo and the genre of this recording. By tempo alone, 81 BPM suits: Contemporary Dance, Lyrical Dance, Tap Dance, East Coast Swing, Salsa.
How to count it
At 81 BPM one beat lasts 740 milliseconds. In 4/4 that is 20.3 bars per minute; in 3/4 it is 27.0. Ballroom rhythm analysis suggests a quickstep pattern (56% confidence).
Audio profile
- Danceability (model)
- Low (100% confidence)
- Party mood
- No
- Relaxed
- No
- Vocals
- Instrumental
- Tags
- soundtrack, movie soundtrack
- Release
- Human Traffic: Essential Selection Presents Music From the Motion Picture
Similar-tempo songs
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| After the Storm | The Flatlanders | 81 | D# major | West Coast Swing, Texas Two-Step | 2009 |
| Bad Life Blues | Buddy Guy | 81 | F minor | West Coast Swing, Texas Two-Step | 2003 |
| I Want You to Love Me | Muddy Waters | 81 | C major | West Coast Swing | 1958 |
| All Over Again | B.B. King | 81 | G# minor | West Coast Swing, Tap Dance, Lindy Hop | 1968 |
| Conversation With the Blues | Big Bill Broonzy | 81 | C# major | West Coast Swing, Texas Two-Step | 1993 |
| Mad Love (I Want You to Love Me) | Muddy Waters | 81 | C major | West Coast Swing | 1985 |
| And It’s Supposed to Be Love | Abbey Lincoln | 81 | C major | Tap Dance, Lindy Hop | 2007 |
| Be With You | Mary J. Blige | 81 | G# major | West Coast Swing, Lyrical Dance, Brazilian Zouk | 1994 |
| Easy Going Even | Najee | 81 | G# major | Tap Dance, Lindy Hop | 2000 |
| Esquadros | Adriana Calcanhotto | 81 | A major | Lyrical Dance | 2000 |
| No One to Talk to But the Blues | The Derailers | 81 | F major | West Coast Swing, Texas Two-Step | 1997 |
| O circo | Maria Bethânia | 81 | D major | Lyrical Dance, West Coast Swing | 1996 |
More by [dialogue]
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Comedown Sermon | [dialogue] | 155 | A major | Musical Theatre Dance | 1999 |
| Dialogue From “The Sopranos” | [dialogue] | 90 | C major | 2001 | |
| Hip Hop Outro | [dialogue] | 89 | A# major | 1999 | |
| Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter) | [dialogue] | 157 | C# minor | Contemporary Dance | 1999 |
| Star Wars Theory | [dialogue] | 126 | A# major | Musical Theatre Dance | 1999 |
| The Hollow Men | [dialogue] | 126 | E major | Musical Theatre Dance | 1979 |
| The Umbrella Corporation | [dialogue] | 114 | A# major | Musical Theatre Dance | 2002 |
| Those Who Can’t Do (dialogue: Jack Black) | [dialogue] | 148 | F major | Musical Theatre Dance | 2003 |
| Your Head and Your Mind and Your Brain (dialogue: Jack Black) | [dialogue] | 136 | A major | Musical Theatre Dance | 2003 |
Measured by AcousticBrainz · recording on MusicBrainz (CC0). Check the tempo by ear with our tap tempo tool.