What dance fits “Hip Hop Outro”?
No dance in our list matches both the tempo and the genre of this recording. By tempo alone, 89 BPM suits: Contemporary Dance, Lyrical Dance, Tap Dance, Waltz, Viennese Waltz.
How to count it
At 89 BPM one beat lasts 673 milliseconds. In 4/4 that is 22.3 bars per minute; in 3/4 it is 29.7.
Audio profile
- Danceability (model)
- Low (60% confidence)
- Party mood
- No
- Relaxed
- No
- Vocals
- Vocal
- Tags
- soundtrack, movie soundtrack
- Release
- Human Traffic: Essential Selection Presents Music From the Motion Picture
Similar-tempo songs
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Overnight | Maggie Rogers | 89 | G# major | Lyrical Dance, West Coast Swing | 2019 |
| Allá tú | Los Bukis | 89 | E major | Lyrical Dance, Cumbia, Contemporary Dance | 1991 |
| Rose in Paradise | Waylon Jennings | 89 | G# major | West Coast Swing, Texas Two-Step | 2004 |
| Can’t See Baby | Buddy Guy | 89 | F minor | West Coast Swing, Texas Two-Step | 2003 |
| Did I Shave My Legs for This? | Deana Carter | 89 | A major | West Coast Swing, Texas Two-Step, Lyrical Dance | 1996 |
| Hats Off | Alabama | 89 | F# major | West Coast Swing, Texas Two-Step, Lyrical Dance | 1991 |
| Quiéreme mucho | Ibrahim Ferrer | 89 | E minor | Tap Dance, Lindy Hop | 2007 |
| Washington Square | Chinese Man feat. Bionic Man Sound | 89 | F minor | Hip-Hop Dance, Krump, Tap Dance | 2007 |
| All Loved Up | Amy Shark | 89 | D minor | Lyrical Dance, Cha-Cha, West Coast Swing | 2018 |
| All She Wants Is You | Guy Clark | 89 | D major | West Coast Swing, Texas Two-Step | 2009 |
| Bahia viva (instrumental) | Olodum | 89 | F major | 1993 | |
| Big Love in a Small Town | Sarah Johns | 89 | F# major | West Coast Swing, Texas Two-Step, Lyrical Dance | 2007 |
More by [dialogue]
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Comedown Sermon | [dialogue] | 155 | A major | Musical Theatre Dance | 1999 |
| Dialogue From “The Sopranos” | [dialogue] | 90 | C major | 2001 | |
| Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter) | [dialogue] | 157 | C# minor | Contemporary Dance | 1999 |
| Star Wars Theory | [dialogue] | 126 | A# major | Musical Theatre Dance | 1999 |
| The Hollow Men | [dialogue] | 126 | E major | Musical Theatre Dance | 1979 |
| The Umbrella Corporation | [dialogue] | 114 | A# major | Musical Theatre Dance | 2002 |
| Those Who Can’t Do (dialogue: Jack Black) | [dialogue] | 148 | F major | Musical Theatre Dance | 2003 |
| We're All in This Together | [dialogue] | 81 | F major | 1999 | |
| Your Head and Your Mind and Your Brain (dialogue: Jack Black) | [dialogue] | 136 | A major | Musical Theatre Dance | 2003 |
Measured by AcousticBrainz · recording on MusicBrainz (CC0). Check the tempo by ear with our tap tempo tool.