What dance fits “Dialogue From “The Sopranos””?
No dance in our list matches both the tempo and the genre of this recording. By tempo alone, 90 BPM suits: Contemporary Dance, Lyrical Dance, Tap Dance, Musical Theatre Dance, Waltz.
How to count it
At 90 BPM one beat lasts 669 milliseconds. In 4/4 that is 22.4 bars per minute; in 3/4 it is 29.9. Ballroom rhythm analysis suggests a American rumba pattern (61% confidence).
Audio profile
- Danceability (model)
- Low (100% confidence)
- Party mood
- No
- Relaxed
- No
- Vocals
- Instrumental
- Tags
- soundtrack, tv soundtrack
- Release
- The Sopranos: Peppers & Eggs
Similar-tempo songs
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Crying at Daybreak | Swing Republic feat. Howlin’ Wolf | 90 | A minor | Popping, Tap Dance, Lindy Hop | 2011 |
| Bobbie’s Blues (Who Do You Think Of?) | The 5th Dimension | 90 | A major | Lyrical Dance | 1968 |
| Colibria | Nicola Cruz | 90 | A minor | Cumbia | 2015 |
| Diarios Clave (Rumba Funk) | Señor Coconut | 90 | A# major | Popping | 1997 |
| En este mundo de locos | Sergent Garcia | 90 | A minor | Salsa, Cha-Cha | 2006 |
| Holiday | Byron Lee and the Dragonaires | 90 | C# major | 2004 | |
| It’ll Never Be the Same Again | The 5th Dimension | 90 | A minor | West Coast Swing, Lyrical Dance | 1968 |
| Move It on Over | Willie Nelson & Family | 90 | A major | West Coast Swing, Texas Two-Step, Lyrical Dance | 2002 |
| Toi tu es là-bas | Sergent Garcia | 90 | A minor | Salsa, Cha-Cha | 2006 |
| Way Back Home | Byron Lee and the Dragonaires | 90 | C major | 2004 | |
| A Flood on Our Hands | Joe Ely | 90 | G major | West Coast Swing, Texas Two-Step | 2003 |
| Behind These Hazel Eyes | Kelly Clarkson | 90 | — | 2005 |
More by [dialogue]
| Song | Artist | BPM | Key | Dances | Year |
|---|---|---|---|---|---|
| Comedown Sermon | [dialogue] | 155 | A major | Musical Theatre Dance | 1999 |
| Hip Hop Outro | [dialogue] | 89 | A# major | 1999 | |
| Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter) | [dialogue] | 157 | C# minor | Contemporary Dance | 1999 |
| Star Wars Theory | [dialogue] | 126 | A# major | Musical Theatre Dance | 1999 |
| The Hollow Men | [dialogue] | 126 | E major | Musical Theatre Dance | 1979 |
| The Umbrella Corporation | [dialogue] | 114 | A# major | Musical Theatre Dance | 2002 |
| Those Who Can’t Do (dialogue: Jack Black) | [dialogue] | 148 | F major | Musical Theatre Dance | 2003 |
| We're All in This Together | [dialogue] | 81 | F major | 1999 | |
| Your Head and Your Mind and Your Brain (dialogue: Jack Black) | [dialogue] | 136 | A major | Musical Theatre Dance | 2003 |
Measured by AcousticBrainz · recording on MusicBrainz (CC0). Check the tempo by ear with our tap tempo tool.